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Zielzoekers
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Zielzoekers

Begin 2017 verbleef de Iraaks-Belgische theatermaker Mokhallad Rasem 6 weken lang in het asielcentrum van Menen. Hij maakte er een voorstelling van die de nieuwsfeiten waarmee we rond de oren geslagen worden een menselijk gezicht geven.
In between violet and green
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In between violet and green

Als techniekers van de verbeelding sleutelen architect Steve Salambier en fotograaf Charlotte Bouckaert voor je ogen aan hun beeldend universum. Je ziet de ingewanden van het Vlaamse landschap voorbij trekken.
Olivetti 82
Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82 Olivetti 82

Olivetti 82

Bernard Van de Wiele is niet geestelijk gestoord, maar in de war. Hij weet niet waarom hij zich opeens in een politiekamertje bevindt met een Olivetti 82-typmachine voor z’n neus en twee mannen die hem aan de tand voelen. Waarom zit z’n hand in het verband? En hoe is het allemaal begonnen?
T.A.N.I.A.!
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T.A.N.I.A.!

Tania Van der Sanden schittert in haar eerste onewomanshow, waarin ze het publiek op haar onnavolgbare manier zal entertainen. Maar niet zonder de onverwachte ommekant te vergeten die haar zo dierbaar is: geen lach zonder traan. Ga achterover leunen en laat je verrassen, want hier is: T.A.N.I.A.!